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BILLY did not lift his face from the pillow; he was striving to steady throat and voice. “‘Mosey’? Does that mean ‘little Moses’?” Mrs. Mifsud who had listened to this recital with polite interest, now excused herself on the plea of urgent duties in the kitchen..
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They came upon him a second later, insensible, his head bleeding from a scalp wound. Hurriedly the Sheriff lifted him close to the brook, dashed water over his face, washed out the cut a little, and bound it with his handkerchief, not untenderly if in haste; for Billy had won something more than his approval. “But I don’t like them to do that, Billy. They ought to stay dead till the play is done. When I see them smiling I feel as if—just as I would if you made fun of me when I cried for my mama,—it takes all the true out of the play.” The Wopp parlor was seldom entered, except on very special occasions or when Mrs. Wopp with formality and no undue haste dusted the furniture. The room had an air of solemnity and gloom, absent in the cheerful dining-room where the family usually sat. A homemade rag carpet covered the floor. Six slippery, horsehair chairs, one of them a rocker, and a horsehair couch, which did not invite confidence, were ranged stiffly around the sides of the room. In one corner was an ancient organ, wheezy and querulous with neglect, and in another stood a lofty what-not, on whose numerous shelves were deposited the family treasures. Here, was a woolly lamb at one time beloved of Moses; there his tin savings bank. Stiffly upright stood Betty’s wax doll Hannah, seldom played with and then only for a few minutes at a time. Mrs. Wopp was represented by a few shell boxes and a match box of china flanked by a sleek china cat. “Better quit tarlkin’, Moses, an’ let the picter show go on so’s we kin hev supper, everythin’s laid an’ ready.”.
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